The Work Of Art In The Age Of Mechanical Reproduction Summary

Mechanical reproduction of a work of art however represents something new. Summary published in 1936 benjamin s dissertation on the work of art is a discussion on the value of art and the influence of its technological reproduction on the capitalists and society.

Cultural Studies Chapter 2 The Work Of Art

About the work of art in the age of mechanical reproduction.

The work of art in the age of mechanical reproduction summary. Works of art have always been reproducible through imitation. Walter benjamin the work of art in the age of mechanical reproduction. Study guide for the work of art in the age of mechanical reproduction.

Each new technology employed in the production or reproduction of art increased the speed with which they could be done so. In the work of art in the age of mechanical reproduction 1935 walter benjamin addresses the political social and cultural functions of art in a capitalist society. Benjamin explicitly claims that.

Replicas were made by pupils in practice of their craft by masters for diffusing their works and finally by third parties in the pursuit of gain. The primary thesis of benjamin s the work of art in the age of mechanical reproduction is that mechanical reproduction has rendered art useless to fascism. The work of art in the age of mechanical reproduction 1935 often translated as the work of art in the age of its technological reproducibility by walter benjamin is an essay of cultural criticism which proposes that the mechanical reproduction of a work of art devalues the aura of the artefact s uniqueness as art.

Mechanical reproduction characterizes a new period in reproduction with new limits and repercussions. Man made artifacts could always be imitated by men. The work of art in the age of mechanical reproduction study guide contains a biography of walter benjamin literature essays quiz questions major themes characters and a full summary and analysis.

In principle a work of art has always been reproducible.

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